Tributary to the writings of Pierre Francastel, Norbert Elias, Jean Duvignaud, Lucien Goldmann, Roger Bastide, Nathalie Heinich, Raymonde Moulin, Alain Bowness, Antoine Hennion, Paul DiMaggio and many others, the sociology of art and culture constituted itself in a “field in which the values against which sociology itself was configured – the individual as opposed to the collective, interiority as opposed to exteriority” (Heinich, 1998: 7, our translation), so that to ignore this condition of fracture is equivalent to ignoring the adversities of its scientific formulation.

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